Big Zulu's "200 Bars": The Diss Track That's Got SA Talking
- Big Zulu exudes excitement after unleashing his much-anticipated diss track, 200 Bars.
- The Bergville artist turned to social media to gauge reactions about the state of South Africa's rap scene post-release.
- Fans wasted no time chiming in on Big Zulu's socials to share their thoughts.
Mzansi’s own Big Zulu is basking in the glow of success as his highly anticipated 200 Bars diss track continues to rack up views since its Friday release. Fans are clearly here for it, and the numbers don’t lie. This isn’t just another track; it’s a follow-up to his celebrated 150 Bars (Ke Hip Hop Dawg), which dropped on August 22, 2022, and had everyone talking.
While the track, accompanied by an official music video, has sparked mixed reactions among hip-hop enthusiasts, it's undeniable that Big Zulu's artistry continues to command attention. In 200 Bars, much like in his previous beef songs, including the prelude diss 100 Bars, the Bergville-born rapper takes aim at the entire rap scene. No one is spared—Nasty C, K.O., Kwesta, Cassper Nyovest, Emtee, and Duncan all get a taste of his lyrical fire.
Big Zulu Asks: What's the State of SA Hip-Hop?
But this isn’t just about calling out other rappers. Big Zulu is using his platform to spark a conversation about the current state of hip-hop in South Africa. He’s asking some tough questions, and he’s doing it in a way that only he can—through his music and his social media presence. Emtee, for one, has chosen to respond with weak online posts, while Duncan fired back the same day with his own diss track, After Tears, which was a direct shot at Big Zulu.
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Since the release of 200 Bars, Big Zulu hasn’t slowed down. He’s been active on social media, engaging with fans and encouraging them to weigh in on the state of the hip-hop industry. On X, he posted:
“Alright, SA. I’ve done what you’ve been asking for with ‘200 Bars.’ It’s trending at number one on YouTube and number three on iTunes. And let’s not forget ‘After Tears’—it’s doing well too. We’re enjoying hip-hop, but here’s the real question: what’s the issue with our hip-hop scene? Should artists keep dropping diss tracks, or do you think it’s not worth it anymore?”
Big Zulu is proud of what he’s delivered with 200 Bars. The track is performing exceptionally well on platforms like YouTube and iTunes, and he acknowledges Duncan’s effort with After Tears. But he’s not stopping there. He’s challenging fans to think critically about the future of hip-hop in South Africa. Should rappers keep the beef alive, or is it time to move on?
Hip-Hop Heads Weigh In
Of course, fans were quick to respond, and the commentary has been nothing short of colorful. Some believe Big Zulu has single-handedly revived the genre, while others argue that competing genres like Amapiano have overshadowed hip-hop. Let’s take a look at what some fans had to say.
@ClericMahange wrote:
“Finally, someone has brought hip-hop back. My wish is for it to stay that way permanently. We’re tired of hearing the same Amapiano beats over and over again.”
@Simphiwe_Slice chimed in:
“I think hip-hop artists got overshadowed by the rise of Amapiano. They were left behind, and now they’re struggling to regain their footing. The truth is, as fans, we’ve always been here to support the movement.”
@Unexpressed0 added:
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“Duncan absolutely cleaned the floor with Nkabi Records and your dreadlocks. Respect where it’s due.”
Big Zulu’s 200 Bars has clearly struck a nerve, and whether you’re a fan of diss tracks or not, it’s undeniable that the conversation around South African hip-hop has been reignited. As the debate continues, one thing is certain—Big Zulu isn’t afraid to ask the tough questions and push the boundaries of the genre.
